During a three year period, using my camera from my own balcony, I have been archiving the view on a tiny little house situated on a green hill. I am analysing my own thoughts about the realization of that observation process. I am thinking how I can emphasize the perceptive event that I am noticing through the prism of the psychological-emotional mechanism. In the meantime, in parallel, the seasons are changing and in their own way, clearly and unequivocally, they are forming a whole spectre of colourful events which are actually one persuasive visual background of the human consciousness. I am creating the film, showing in one frame, two processes, that is, two current scenes, one recorded directly with the camera and the other simultaneously within myself. Doing so, I am using the expressive film interventions and textual sentence visions. In the process, I position myself as an author, that is, as an archivist and as a building resident. Observing any scenery always includes a spectre of tangible and intangible parallel processes. Inside this project, I am also researching some aspects of such processes in the scene defined, which I treat as a working material for the thought process, as well as for the very structure of the film.